It’s that time of the year again: movie aficionados all over the world scramble to watch the movies nominated for this year’s Academy Awards. I have to admit I’ve only seen a couple of the contenders so far, but The Hateful Eight was one of them.
I did manage to catch an English showing of The Hateful Eight, because there was no way I was going to watch a crappy dubbed German version of it, but I didn’t get to see the 70mm version. If you haven’t been following movie news, Tarantino, in an effort to put all other movie nerds to shame, filmed The Hateful Eight in Ultra Panavision 70, a format that hasn’t been used for decades, which basically means that you get a wider and much more detailed image. Since most cinemas don’t have the equipment to show the movie in this format, there was (is?) a roadshow featuring the movie in its original format and in a slightly longer version. Since I couldn’t go, I can’t say whether it’s worth it, but I have to admit the whole procedure of dressing up and making a proper night out of it appeals to me. Plus, I imagine you get to be pretentious and wax poetic on the vivid colors and crisp image of the movie in Ultra Panavision 70, as opposed to the much inferior digital version, while gesticulating with your wine glass. Ah, one can dream.
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