Yael, Avishag and Lea grow up together in a tiny, dusty village in Israel. They attend high school, gossip about boys, and try to find ways to alleviate the universal boredom of teenage life. Then at eighteen they are conscripted into the army. Yael trains marksmen, Avishag stands guard watching refugees throw themselves at barbed-wire fences and Lea, posted at a checkpoint, imagines the stories behind the familiar faces that pass by her day after day. All of them live in that single intense second before danger erupts, all of them trying to survive however they can.
Last semester, I watched Scorcese’s Taxi Driver for a seminar at university. I remember my teacher stating that it was one of the movies on which she could base an entire seminar because it is so complex. The People of Forever are Not Afraid reminded me of that. It sometimes has the same feeling of clinical detachment and austerity while being very layered and open to interpretation.
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