Marvel, Marvel, Marvel. You know I love you, but we agreed to always be honest with each other.
Today was not a good day for you. It’s okay, I know you can do better! But …please do next time. I’m not a fan of your flat jokes.
When Lauren and Ryan’s marriage reaches the breaking point, they come up with an unconventional plan. They decide to take a year off in the hopes of finding a way to fall in love again. One year apart, and only one rule: they cannot contact each other. Aside from that, anything goes.
Lauren embarks on a journey of self-discovery, quickly finding that her friends and family have their own ideas about the meaning of marriage. These influences, as well as her own healing process and the challenges of living apart from Ryan, begin to change Lauren’s ideas about monogamy and marriage. She starts to question: When you can have romance without loyalty and commitment without marriage, when love and lust are no longer tied together, what do you value? What are you willing to fight for?
This book severely disappointed me. And then it didn’t.
Kelsea Glynn is the sole heir to the throne of Tearling but has been raised in secret by foster parents after her mother – Queen Elyssa, as vain as she was stupid – was murdered for ruining her kingdom. For 18 years, the Tearling has been ruled by Kelsea’s uncle in the role of Regent however he is but the debauched puppet of the Red Queen, the sorceress-tyrant of neighbouring realm of Mortmesme. On Kelsea’s 19th birthday, the tattered remnants of her mother’s guard – each pledged to defend the queen to the death – arrive to bring this most un-regal young woman out of hiding…
This book is hard to review because I simultaneously liked and didn’t like it. That’s probably the reason the review turned out so long, so skip to the ending if you just want to see the conclusion and my rating. The Queen of the Tearling was entertaining, fun and my kind of book while having so many issues I need more than one hand to count them. Let’s start with the flaws and then let me tell you why you should read it anyway.
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Yael, Avishag and Lea grow up together in a tiny, dusty village in Israel. They attend high school, gossip about boys, and try to find ways to alleviate the universal boredom of teenage life. Then at eighteen they are conscripted into the army. Yael trains marksmen, Avishag stands guard watching refugees throw themselves at barbed-wire fences and Lea, posted at a checkpoint, imagines the stories behind the familiar faces that pass by her day after day. All of them live in that single intense second before danger erupts, all of them trying to survive however they can.
Last semester, I watched Scorcese’s Taxi Driver for a seminar at university. I remember my teacher stating that it was one of the movies on which she could base an entire seminar because it is so complex. The People of Forever are Not Afraid reminded me of that. It sometimes has the same feeling of clinical detachment and austerity while being very layered and open to interpretation.
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